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	<title>Events Archives | Alex Taylor</title>
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	<description>by Alex Taylor</description>
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		<title>“Remaking Digital Futures” — BDFI Panel</title>
		<link>/remaking-digital-futures/</link>
					<comments>/remaking-digital-futures/#respond</comments>
		
		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Wed, 19 Jan 2022 09:00:25 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[talk]]></category>
		<guid isPermaLink="false">/?p=5910</guid>

					<description><![CDATA[<p>How will digital technology disrupt traditional patterns of innovation? Discuss and explore at our symposium on 19 Jan #DisruptInnovation #DriveTechnology Please register https://t.co/hjxx3RIii4 @Dsimeo @susanjhalford @JeremyS1 pic.twitter.com/2vCVoo0mmt — Bristol Digital Futures Institute (@DigiFutures) December 22, 2021 Next up Panel 1 for #digifutures22 “Remaking Digital Futures” pic.twitter.com/fysLukHG83 — Bristol Digital Futures Institute (@DigiFutures) January 19, 2022 [...]</p>
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<p>The post <a rel="nofollow" href="/remaking-digital-futures/">“Remaking Digital Futures” — BDFI Panel</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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<p lang="en" dir="ltr">How will digital technology disrupt traditional patterns of innovation? Discuss and explore at our symposium on 19 Jan <a href="https://twitter.com/hashtag/DisruptInnovation?src=hash&amp;ref_src=twsrc%5Etfw">#DisruptInnovation</a> <a href="https://twitter.com/hashtag/DriveTechnology?src=hash&amp;ref_src=twsrc%5Etfw">#DriveTechnology</a> Please register <a href="https://t.co/hjxx3RIii4">https://t.co/hjxx3RIii4</a> <a href="https://twitter.com/Dsimeo?ref_src=twsrc%5Etfw">@Dsimeo</a> <a href="https://twitter.com/susanjhalford?ref_src=twsrc%5Etfw">@susanjhalford</a> <a href="https://twitter.com/JeremyS1?ref_src=twsrc%5Etfw">@JeremyS1</a> <a href="https://t.co/2vCVoo0mmt">pic.twitter.com/2vCVoo0mmt</a></p>
<p>— Bristol Digital Futures Institute (@DigiFutures) <a href="https://twitter.com/DigiFutures/status/1473586610830725123?ref_src=twsrc%5Etfw">December 22, 2021</a></p></blockquote>
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<p lang="en" dir="ltr">Next up Panel 1 for <a href="https://twitter.com/hashtag/digifutures22?src=hash&amp;ref_src=twsrc%5Etfw">#digifutures22</a> “Remaking Digital Futures” <a href="https://t.co/fysLukHG83">pic.twitter.com/fysLukHG83</a></p>
<p>— Bristol Digital Futures Institute (@DigiFutures) <a href="https://twitter.com/DigiFutures/status/1483767540539170818?ref_src=twsrc%5Etfw">January 19, 2022</a></p></blockquote>
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<p>Panelist on “Remaking Digital Futures”, Bristol Digital Futures Institute’s inaugural symposium.</p>
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<p>The post <a rel="nofollow" href="/remaking-digital-futures/">“Remaking Digital Futures” — BDFI Panel</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<title>Panel talk: Prototyping AI ethics futures—Rights, access and refusal</title>
		<link>/panel-talk-prototyping-ai-ethics-futures-rights-access-and-refusal/</link>
					<comments>/panel-talk-prototyping-ai-ethics-futures-rights-access-and-refusal/#respond</comments>
		
		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Sun, 20 Jun 2021 11:47:51 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Talks]]></category>
		<category><![CDATA[access]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[dis/ability]]></category>
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					<description><![CDATA[<p>Panel talk at 1:00pm–2:30pm, 23 June 2021 (BST), in association with Ada Lovelace Institute, The British Academy and The Arts and Humanities Research council. Join us this Wednesday 23th at 1pm BST for the@justainet panel on “Rights, Access and Refusal” with @crystaljjlee @alxndrt and @maramills. Response from @sarahchander and chaired by @anthroptimist and @_louhicky https://t.co/3UUdNNzOsf [...]</p>
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<p>The post <a rel="nofollow" href="/panel-talk-prototyping-ai-ethics-futures-rights-access-and-refusal/">Panel talk: Prototyping AI ethics futures—Rights, access and refusal</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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										<content:encoded><![CDATA[<p>Panel talk at 1:00pm–2:30pm, 23 June 2021 (BST), in association with <a href="https://www.adalovelaceinstitute.org/event/prototyping-ai-ethics-futures-rights-access-refusal/" rel="noopener" target="_blank">Ada Lovelace Institute</a>, <a href="https://www.thebritishacademy.ac.uk/" rel="noopener" target="_blank">The British Academy</a> and <a href="https://ahrc.ukri.org/" rel="noopener" target="_blank">The Arts and Humanities Research council</a>.</p>
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<p lang="en" dir="ltr">Join us this Wednesday 23th at 1pm BST for the<a href="https://twitter.com/justainet?ref_src=twsrc%5Etfw">@justainet</a> panel on “Rights, Access and Refusal” with <a href="https://twitter.com/crystaljjlee?ref_src=twsrc%5Etfw">@crystaljjlee</a> <a href="https://twitter.com/alxndrt?ref_src=twsrc%5Etfw">@alxndrt</a> and <a href="https://twitter.com/maramills?ref_src=twsrc%5Etfw">@maramills</a>. Response from <a href="https://twitter.com/sarahchander?ref_src=twsrc%5Etfw">@sarahchander</a> and chaired by <a href="https://twitter.com/anthroptimist?ref_src=twsrc%5Etfw">@anthroptimist</a> and <a href="https://twitter.com/_louhicky?ref_src=twsrc%5Etfw">@_louhicky</a> <a href="https://t.co/3UUdNNzOsf">https://t.co/3UUdNNzOsf</a></p>
<p>— JUST AI Network (@justainet) <a href="https://twitter.com/justainet/status/1406239804824641536?ref_src=twsrc%5Etfw">June 19, 2021</a></p></blockquote>
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</div></div><p>The post <a rel="nofollow" href="/panel-talk-prototyping-ai-ethics-futures-rights-access-and-refusal/">Panel talk: Prototyping AI ethics futures—Rights, access and refusal</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<title>Seminar talk and discussion with Daniela Rosner</title>
		<link>/seminar-talk-daniela-rosner/</link>
					<comments>/seminar-talk-daniela-rosner/#respond</comments>
		
		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Wed, 04 Jul 2018 10:30:24 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[HCID]]></category>
		<category><![CDATA[seminar]]></category>
		<guid isPermaLink="false">/?p=4257</guid>

					<description><![CDATA[<p>I’m really thrilled to have Daniela Rosner visiting us at the Centre for Human-Computer Interaction Design (HCID), and especially excited about her HCID seminar talk. She’ll be expanding on ideas from her book “Critical Fabulations: Reworking the Methods and Margins of Design”, and Ann Light will acting as discussant. For details see this Eventbrite page [...]</p>
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<div class="col-md-7">I’m really thrilled to have <a href="https://www.hcde.washington.edu/rosner" rel="noopener noreferrer" target="_blank">Daniela Rosner</a> visiting us at the Centre for Human-Computer Interaction Design (<a href="https://www.city.ac.uk/mathematics-computer-science-engineering/research/centre-for-human-computer-interaction-design" rel="noopener noreferrer" target="_blank">HCID</a>), and especially excited about her HCID seminar talk. She’ll be expanding on ideas from her book “<a href="https://mitpress.mit.edu/books/critical-fabulations" rel="noopener noreferrer" target="_blank">Critical Fabulations: Reworking the Methods and Margins of Design</a>”, and <a href="https://theconversation.com/profiles/ann-light-148910" rel="noopener noreferrer" target="_blank">Ann Light</a> will acting as discussant. For details see this <a href="https://www.eventbrite.co.uk/e/why-fabulate-design-a-seminar-talk-and-discussion-with-daniela-rosner-tickets-47302898242" rel="noopener noreferrer" target="_blank">Eventbrite page</a></div>
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<p lang="en" dir="ltr">Thrilled to have <a href="https://twitter.com/danielarosner?ref_src=twsrc%5Etfw">@danielarosner</a> giving our <a href="https://twitter.com/cityuni_hcid?ref_src=twsrc%5Etfw">@cityuni_hcid</a> seminar talk on 23 July: “Why Fabulate Design?” — A seminar talk and discussion with Daniela Rosner.<a href="https://t.co/ygmwZAFQ3c">https://t.co/ygmwZAFQ3c</a></p>
<p>— Alex Taylor (@alxndrt) <a href="https://twitter.com/alxndrt/status/1011273268907692034?ref_src=twsrc%5Etfw">June 25, 2018</a></p></blockquote>
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<p>The post <a rel="nofollow" href="/seminar-talk-daniela-rosner/">Seminar talk and discussion with Daniela Rosner</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<title>Experiments in collective counting</title>
		<link>/collective-counting/</link>
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		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Sun, 03 Jun 2018 22:51:25 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Writing]]></category>
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					<description><![CDATA[<p>I’m really happy to have a short piece by me and Clara Crivellaro included in the publication “Self-Service”, a collection of contributions responding to . Kirsty Hendry and Ilona Sagar produced the publication which was exhibited alongside their film screening at the Glasgow International Festival. In “Experiments in collective counting”, Clara and I write about [...]</p>
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]]></description>
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<div class="col-9 col-sm-6 col-md-5"><a href="https://ast.io/archive/wp-content/uploads/2018/06/self-service-1.jpg"><img loading="lazy" class="aligncenter wp-image-4190 size-large" src="/archive/wp-content/uploads/2018/06/self-service-1-671x1024.jpg" alt="Photo of contributions to self-service publication." width="640" height="977"></a></div>
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<p>I’m really happy to have a short piece by me and <a href="https://openlab.ncl.ac.uk/people/b2052334" rel="noopener noreferrer" target="_blank">Clara Crivellaro</a> included in the publication “Self-Service”, a collection of contributions responding to <a id="tippy_tip0_5044_anchor"></a>. <a href="https://www.rca.ac.uk/students/kirsty-hendry/" target="_blank" rel="noopener noreferrer">Kirsty Hendry</a> and <a href="https://www.ilonasagar.com/" target="_blank" rel="noopener noreferrer">Ilona Sagar</a> produced the publication which was exhibited alongside their <a href="http://glasgowinternational.org/events/kirsty-hendry-ilona-sagar-2/" target="_blank" rel="noopener noreferrer">film screening</a> at the <a href="http://glasgowinternational.org/events/kirsty-hendry-ilona-sagar/" target="_blank" rel="noopener noreferrer">Glasgow International Festival</a>.</p>
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<div class="col-10 col-sm-5 col-md-5"><a href="https://ast.io/archive/wp-content/uploads/2018/06/self-service-2.jpg"><img loading="lazy" class="/archive/wp-image-4174 size-large alignnone" src="/archive/wp-content/uploads/2018/06/self-service-2-737x1024.jpg" alt="Photo of Experiments in collective counting, from the self-service publication." width="640" height="889"></a></div>
<div class="col-10 col-sm-7 col-md-7"><a href="https://ast.io/archive/wp-content/uploads/2018/06/self-service-3.jpg"><img loading="lazy" class="aligncenter wp-image-4175" src="/archive/wp-content/uploads/2018/06/self-service-3-1024x727.jpg" alt="Credits, from Experiments in collective counting." width="640" height="454"></a></div>
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<p>In “Experiments in collective counting”, Clara and I write about the (ac)counting practices on an estate in South East London and our efforts to intervene in a resolutely singular logic of community and value.</p>
<div class="tippy" data-title="<em>The Peckham Experiment</em>" data-showtitle="false" data-anchor="#tippy_tip0_5044_anchor"><strong>The Peckham Experiment</strong> was a social experiment targeting health. The Pioneer Health Foundation, the legacy to the experiment, describes it as “an investigation into the nature of health.” From 1926 to 1950 it was based in Peckham, south London at the Pioneer Health Centre. For more information visit the Pioneer Health Foundation <a href="http://thephf.org/peckhamexperiment" target="_blank" rel="noopener noreferrer"> website</a>.</div>
<p>The post <a rel="nofollow" href="/collective-counting/">Experiments in collective counting</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<title>From the Picket Line</title>
		<link>/the-picket-line/</link>
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		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Mon, 19 Mar 2018 22:34:16 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[ucustrikes]]></category>
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					<description><![CDATA[<p>For those of us in UK academia, it’s been impossible to miss the strikes over the last four weeks, with academics from across the country standing their ground for a fair and equitable pension. There are many incredibly detailing the developments and explaining how this is about for a walk of life that just doesn’t [...]</p>
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<div>For those of us in UK academia, it’s been impossible to miss the strikes over the last four weeks, with academics from across the country standing their ground for a fair and equitable pension. There are many incredibly <a id="tippy_tip1_5540_anchor"></a> detailing the developments and explaining how this is about <a id="tippy_tip2_3881_anchor"></a> for a walk of life that just doesn’t have to be subject to the warped values of the Neo-liberal project.</div>
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<div>Personally, what I’ve found inspirational is the coverage from the picket line and the industry of others. Naturally, there have been the marches, the banners, and the teach-ins. But, with such generative care and warmth, what has brought special cheer to me have been the many outstanding examples of creative impulse: of <a href="https://twitter.com/_JPhelps/status/975137991709593600" rel="noopener noreferrer" target="_blank">craft</a> (like that recorded by <a href="https://twitter.com/_JPhelps" rel="noopener noreferrer" target="_blank">Jacob Phelps</a> below), of design (from <a href="https://twitter.com/may_katja/status/975101915121049600" rel="noopener noreferrer" target="_blank">Katja May</a>, <a href="https://twitter.com/katjungnickel" rel="noopener noreferrer" target="_blank">Kat Jungnickel</a>, etc. at Goldsmiths), and of <a href="https://twitter.com/AcademicDiary/status/973881115172892672" rel="noopener noreferrer" target="_blank">poetry</a> (no less from the fabulous <a href="https://twitter.com/MichaelRosenYes/status/975290654556291078" rel="noopener noreferrer" target="_blank">Michael Rosen</a>).</div>
<p></p></div>
<div>Given it would be hard to add to all the amazing commentary on the pension strikes, what I want to pay special homage to here is the dance (and a little song) from the picket line. Browsing the not-so-distant twitter archive, I’ve tried to dig out a few out the highlights from the last few weeks that can’t help bring a smile to my face. It must be said, that among all the wonderful examples, Lancaster goes gold hands down for the <a href="https://twitter.com/ProfImogenTyler/status/974673174959976448" rel="noopener noreferrer" target="_blank">PEF</a> (Picket Excellence Framework), and <a href="https://twitter.com/ProfImogenTyler" rel="noopener noreferrer" target="_blank">Imogen Tyler</a> deserves a special award of excellence for her unwavering commitment to impact dissemination, Twitter-wide.</div>
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<div class="highlight">Here’s to all the dancers (and musicians) on the picket line</div>
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<p lang="en" dir="ltr"><a href="https://twitter.com/hashtag/fromthepicketline?src=hash&amp;ref_src=twsrc%5Etfw">#fromthepicketline</a> this morning <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> Witt the Atomic Brass Band <a href="https://twitter.com/hashtag/ussstrikes?src=hash&amp;ref_src=twsrc%5Etfw">#ussstrikes</a> <a href="https://twitter.com/hashtag/UCUstrike?src=hash&amp;ref_src=twsrc%5Etfw">#UCUstrike</a> <a href="https://t.co/y9OQJVvBDl">pic.twitter.com/y9OQJVvBDl</a></p>
<p>— Imogen Tyler (@ProfImogenTyler) <a href="https://twitter.com/ProfImogenTyler/status/974214307679531008?ref_src=twsrc%5Etfw">March 15, 2018</a></p></blockquote>
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<p lang="en" dir="ltr">I am striking today <a href="https://twitter.com/hashtag/day13?src=hash&amp;ref_src=twsrc%5Etfw">#day13</a> of <a href="https://twitter.com/hashtag/ussstrikes?src=hash&amp;ref_src=twsrc%5Etfw">#ussstrikes</a> <a href="https://twitter.com/hashtag/ucustrikes?src=hash&amp;ref_src=twsrc%5Etfw">#ucustrikes</a> against pension robbery &amp; against the marketisation of universities — education is not a business it is a right <a href="https://twitter.com/hashtag/fromthepicketline?src=hash&amp;ref_src=twsrc%5Etfw">#fromthepicketline</a> <a href="https://twitter.com/hashtag/knowledgeispower?src=hash&amp;ref_src=twsrc%5Etfw">#knowledgeispower</a> <a href="https://twitter.com/hashtag/dancingourwaytochange?src=hash&amp;ref_src=twsrc%5Etfw">#dancingourwaytochange</a> <a href="https://t.co/iJnjhFcRzX">pic.twitter.com/iJnjhFcRzX</a></p>
<p>— Imogen Tyler (@ProfImogenTyler) <a href="https://twitter.com/ProfImogenTyler/status/974203679640342529?ref_src=twsrc%5Etfw">March 15, 2018</a></p></blockquote>
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<p lang="en" dir="ltr">The <a href="https://twitter.com/CityUCU?ref_src=twsrc%5Etfw">@CityUCU</a> Picket Band on tour… coming to a picket line near you… get down there and join in <img src="https://s.w.org/images/core/emoji/14.0.0/72x72/1f3b6.png" alt="🎶" class="/archive/wp-smiley" style="height: 1em; max-height: 1em;" /> <img src="https://s.w.org/images/core/emoji/14.0.0/72x72/1f3ba.png" alt="🎺" class="/archive/wp-smiley" style="height: 1em; max-height: 1em;" /> <img src="https://s.w.org/images/core/emoji/14.0.0/72x72/1f941.png" alt="🥁" class="/archive/wp-smiley" style="height: 1em; max-height: 1em;" /> <a href="https://twitter.com/hashtag/usstrike?src=hash&amp;ref_src=twsrc%5Etfw">#usstrike</a> <a href="https://t.co/fPqTOFAM5c">pic.twitter.com/fPqTOFAM5c</a></p>
<p>— Ruth Windscheffel (@rcwApr10) <a href="https://twitter.com/rcwApr10/status/973153777686638593?ref_src=twsrc%5Etfw">March 12, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Now <a href="https://twitter.com/Dr_Robin_Smith?ref_src=twsrc%5Etfw">@Dr_Robin_Smith</a> giving a new twist to the Red Hot Chilli Peppers’ Californication <a href="https://twitter.com/CardiffUCU?ref_src=twsrc%5Etfw">@CardiffUCU</a> <a href="https://twitter.com/hashtag/NoCapitulation?src=hash&amp;ref_src=twsrc%5Etfw">#NoCapitulation</a> <a href="https://t.co/hPXOCpnWOM">pic.twitter.com/hPXOCpnWOM</a></p>
<p>— laurence totelin still on strike (@ltotelin) <a href="https://twitter.com/ltotelin/status/973886718997917696?ref_src=twsrc%5Etfw">March 14, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Day 10 on the picket lines. Double figures means double effort. Musically gifted, pensionally shafted <a href="https://twitter.com/hashtag/usstrike?src=hash&amp;ref_src=twsrc%5Etfw">#usstrike</a> <a href="https://twitter.com/hashtag/ucustrike?src=hash&amp;ref_src=twsrc%5Etfw">#ucustrike</a> <a href="https://twitter.com/CityUCU?ref_src=twsrc%5Etfw">@CityUCU</a> <a href="https://twitter.com/hashtag/USSstrikes?src=hash&amp;ref_src=twsrc%5Etfw">#USSstrikes</a> <a href="https://t.co/yx4UGoKCUH">pic.twitter.com/yx4UGoKCUH</a></p>
<p>— K Camps (@Karis_Kafro) <a href="https://twitter.com/Karis_Kafro/status/973153342955425792?ref_src=twsrc%5Etfw">March 12, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr"><a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> strong finish to the picket today <a href="https://twitter.com/hashtag/NoCapitualtion?src=hash&amp;ref_src=twsrc%5Etfw">#NoCapitualtion</a> <a href="https://t.co/EsdgD58saz">pic.twitter.com/EsdgD58saz</a></p>
<p>— Anuja Pradhan (@anujap) <a href="https://twitter.com/anujap/status/974607708275068928?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Styling it. <a href="https://twitter.com/hashtag/UCUlancaster?src=hash&amp;ref_src=twsrc%5Etfw">#UCUlancaster</a> <a href="https://twitter.com/hashtag/angryducks?src=hash&amp;ref_src=twsrc%5Etfw">#angryducks</a> <a href="https://t.co/g8KzQ59Emq">pic.twitter.com/g8KzQ59Emq</a></p>
<p>— Lindsey Moore (@PocoLCMoore) <a href="https://twitter.com/PocoLCMoore/status/971346247528407041?ref_src=twsrc%5Etfw">March 7, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Babies and mommies join the picket line <a href="https://twitter.com/LancasterUni?ref_src=twsrc%5Etfw">@LancasterUni</a> <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> <a href="https://twitter.com/hashtag/Strike?src=hash&amp;ref_src=twsrc%5Etfw">#Strike</a> <a href="https://twitter.com/hashtag/strikeforUSS?src=hash&amp;ref_src=twsrc%5Etfw">#strikeforUSS</a> <br>Sling swingers! <a href="https://t.co/JfdT1xPNMd">pic.twitter.com/JfdT1xPNMd</a></p>
<p>— Jacob Phelps (@_JPhelps) <a href="https://twitter.com/_JPhelps/status/970969328303661057?ref_src=twsrc%5Etfw">March 6, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Amazing!! Local swing sling club came down to <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a>’s picket to show support and entertain us. <a href="https://twitter.com/hashtag/ucustrike?src=hash&amp;ref_src=twsrc%5Etfw">#ucustrike</a> <a href="https://t.co/mgUh0RZQlt">pic.twitter.com/mgUh0RZQlt</a></p>
<p>— Christopher Hart (@_chris_hart) <a href="https://twitter.com/_chris_hart/status/970972645750640640?ref_src=twsrc%5Etfw">March 6, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Dancing to atomic brass <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> this morning <a href="https://twitter.com/hashtag/USStrike?src=hash&amp;ref_src=twsrc%5Etfw">#USStrike</a> <a href="https://twitter.com/hashtag/ucustrike?src=hash&amp;ref_src=twsrc%5Etfw">#ucustrike</a> <a href="https://twitter.com/ProfImogenTyler?ref_src=twsrc%5Etfw">@ProfImogenTyler</a> <a href="https://twitter.com/jennashworth?ref_src=twsrc%5Etfw">@jennashworth</a> <a href="https://twitter.com/hashtag/fromthepicketline?src=hash&amp;ref_src=twsrc%5Etfw">#fromthepicketline</a> <a href="https://t.co/uiPrdVOovB">pic.twitter.com/uiPrdVOovB</a></p>
<p>— Maria Piacentini is between strikes (@piacenti) <a href="https://twitter.com/piacenti/status/974230924605915137?ref_src=twsrc%5Etfw">March 15, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Atomic Brass slowing it down for a moment on <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> picket line. <a href="https://t.co/p1lpqe7so1">pic.twitter.com/p1lpqe7so1</a></p>
<p>— Christopher Hart (@_chris_hart) <a href="https://twitter.com/_chris_hart/status/974212754482614277?ref_src=twsrc%5Etfw">March 15, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Brilliant Atomic Brass paying us a visit at <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> picket line this morning. <a href="https://t.co/UER1N12OWu">pic.twitter.com/UER1N12OWu</a></p>
<p>— Christopher Hart (@_chris_hart) <a href="https://twitter.com/_chris_hart/status/974209686865174529?ref_src=twsrc%5Etfw">March 15, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr"><a href="https://twitter.com/hashtag/thereallancasteruniversity?src=hash&amp;ref_src=twsrc%5Etfw">#thereallancasteruniversity</a> <a href="https://twitter.com/hashtag/LancasterUCU?src=hash&amp;ref_src=twsrc%5Etfw">#LancasterUCU</a> Day 14 picket. Solidarity forever! No going back to the old ways. <img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2764.png" alt="❤" class="/archive/wp-smiley" style="height: 1em; max-height: 1em;" /> <a href="https://t.co/wPyg76CPvY">pic.twitter.com/wPyg76CPvY</a></p>
<p>— Lindsey Moore (@PocoLCMoore) <a href="https://twitter.com/PocoLCMoore/status/974606586374213632?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Lancaster University has now been officially gold in PEF (Picket Excellence Framework) — &amp; a special mention 5<img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2b50.png" alt="⭐" class="/archive/wp-smiley" style="height: 1em; max-height: 1em;" /> for the interdisciplinary cross faculty “dancing queen” impact case study <a href="https://twitter.com/hashtag/fromthepicketline?src=hash&amp;ref_src=twsrc%5Etfw">#fromthepicketline</a> <a href="https://twitter.com/hashtag/ussstrike?src=hash&amp;ref_src=twsrc%5Etfw">#ussstrike</a> <a href="https://twitter.com/hashtag/ucustrike?src=hash&amp;ref_src=twsrc%5Etfw">#ucustrike</a> <a href="https://twitter.com/hashtag/solidarity?src=hash&amp;ref_src=twsrc%5Etfw">#solidarity</a> is <a href="https://twitter.com/hashtag/everything?src=hash&amp;ref_src=twsrc%5Etfw">#everything</a> <a href="https://twitter.com/LancasterUCU?ref_src=twsrc%5Etfw">@LancasterUCU</a> <a href="https://t.co/nNZiuWsRVn">pic.twitter.com/nNZiuWsRVn</a></p>
<p>— Imogen Tyler (@ProfImogenTyler) <a href="https://twitter.com/ProfImogenTyler/status/974673174959976448?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">We’ve told the students we aren’t going to stop with the dad dancing till we secure our pensions — bad dancing is the new direct action <a href="https://t.co/9eFbU8bPj1">pic.twitter.com/9eFbU8bPj1</a></p>
<p>— Imogen Tyler (@ProfImogenTyler) <a href="https://twitter.com/ProfImogenTyler/status/974628135009423361?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">We’re still here! <a href="https://twitter.com/sussexucu?ref_src=twsrc%5Etfw">@sussexucu</a> <a href="https://twitter.com/hashtag/ussstrikes?src=hash&amp;ref_src=twsrc%5Etfw">#ussstrikes</a> <a href="https://twitter.com/hashtag/ucu?src=hash&amp;ref_src=twsrc%5Etfw">#ucu</a> strike <a href="https://twitter.com/hashtag/ucu?src=hash&amp;ref_src=twsrc%5Etfw">#ucu</a> <a href="https://t.co/fX3fu70v9s">pic.twitter.com/fX3fu70v9s</a></p>
<p>— Sussex Strike For USS Events (@sussex4ussevent) <a href="https://twitter.com/sussex4ussevent/status/973552777518571520?ref_src=twsrc%5Etfw">March 13, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="und" dir="ltr"><a href="https://t.co/ilmPIJsfEZ">pic.twitter.com/ilmPIJsfEZ</a></p>
<p>— Imogen Tyler (@ProfImogenTyler) <a href="https://twitter.com/ProfImogenTyler/status/974743038571565061?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="und" dir="ltr"><a href="https://t.co/ilmPIJsfEZ">pic.twitter.com/ilmPIJsfEZ</a></p>
<p>— Imogen Tyler (@ProfImogenTyler) <a href="https://twitter.com/ProfImogenTyler/status/974743038571565061?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">Putting fear into the heart of Pat Loughrey &amp; senior management across the land / the <a href="https://twitter.com/hashtag/Goldsmiths?src=hash&amp;ref_src=twsrc%5Etfw">#Goldsmiths</a> <a href="https://twitter.com/ucu?ref_src=twsrc%5Etfw">@ucu</a> Human League tribute band! <a href="https://twitter.com/hashtag/whereisPat?src=hash&amp;ref_src=twsrc%5Etfw">#whereisPat</a> <a href="https://twitter.com/hashtag/OneGoldsmiths?src=hash&amp;ref_src=twsrc%5Etfw">#OneGoldsmiths</a> <a href="https://twitter.com/hashtag/NoCapitulation?src=hash&amp;ref_src=twsrc%5Etfw">#NoCapitulation</a> <a href="https://twitter.com/hashtag/insolidarity?src=hash&amp;ref_src=twsrc%5Etfw">#insolidarity</a> <a href="https://twitter.com/hashtag/strikeforUSS?src=hash&amp;ref_src=twsrc%5Etfw">#strikeforUSS</a> <a href="https://twitter.com/hashtag/ucustrikes?src=hash&amp;ref_src=twsrc%5Etfw">#ucustrikes</a> <a href="https://twitter.com/hashtag/highereducation?src=hash&amp;ref_src=twsrc%5Etfw">#highereducation</a> <a href="https://twitter.com/hashtag/education?src=hash&amp;ref_src=twsrc%5Etfw">#education</a> <a href="https://twitter.com/hashtag/pensions?src=hash&amp;ref_src=twsrc%5Etfw">#pensions</a> <a href="https://t.co/beKFwjvN91">pic.twitter.com/beKFwjvN91</a></p>
<p>— Goldsmiths UCU (@GoldsmithsUCU) <a href="https://twitter.com/GoldsmithsUCU/status/974733574426460160?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="und" dir="ltr"><a href="https://t.co/kHG1g6TMXy">pic.twitter.com/kHG1g6TMXy</a></p>
<p>— Goldsmiths UCU (@GoldsmithsUCU) <a href="https://twitter.com/GoldsmithsUCU/status/974598449890054144?ref_src=twsrc%5Etfw">March 16, 2018</a></p></blockquote>
<p></p></div>
<a id="tippy_tip3_6657_anchor"></a><br>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
<div class="tippy" data-title="helpful reads" data-showheader="false" data-anchor="#tippy_tip1_5540_anchor">For example, from <a href="https://www.jasonhickel.org/blog/2018/3/15/this-isnt-just-about-pensions-anymore-theres-a-revolution-afoot" rel="noopener noreferrer" target="_blank">Jason Hickel</a>, <a href="https://wonkhe.com/blogs/a-beginners-guide-to-the-uss-dispute/" rel="noopener noreferrer" target="_blank">David Kernohan</a>, via <a href="https://medium.com/@ukacademic/why-i-dont-want-to-go-on-strike-e4a18bed6438" rel="noopener noreferrer" target="_blank">Medium</a>, etc. <a href="https://twitter.com/claudiakincaid" rel="noopener noreferrer" target="_blank">Karen Gregory</a> has put together a list of <a href="https://karengregoryphd.wordpress.com/ucu-strike-readings/" rel="noopener noreferrer" target="_blank">UCU Strike Readings</a>. Lucy Robinson’s <a href="https://proflrobinson.com/2018/03/15/my-strike-scrapbook-by-lucy-robinson-aged-48-1-3-yrs/" rel="noopener noreferrer" target="_blank">strike scrapbook</a> also deserves a special mention.</div>
<div class="tippy" data-title="much more than pensions" data-showheader="false" data-anchor="#tippy_tip2_3881_anchor">See by <a href="http://www.notesfrombelow.org/article/six-points-eve-ucu-strike" rel="noopener noreferrer" target="_blank">Six points on the eve of the UCU strike</a> Jamie Woodcock</div>
<div class="tippy" data-title="c" data-showheader="false" data-width="”450″" data-height="”200″" data-anchor="#tippy_tip3_6657_anchor">
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en">
<p lang="en" dir="ltr">Your badges are awesome! Check out the ones we made <a href="https://twitter.com/UoK_UCU?ref_src=twsrc%5Etfw">@UoK_UCU</a> for <a href="https://twitter.com/hashtag/USSstrike?src=hash&amp;ref_src=twsrc%5Etfw">#USSstrike</a> <a href="https://t.co/90o96sZZAT">pic.twitter.com/90o96sZZAT</a></p>
<p>— Katja May (@may_katja) <a href="https://twitter.com/may_katja/status/975101915121049600?ref_src=twsrc%5Etfw">March 17, 2018</a></p></blockquote>
<p> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script><br>
</p></div>
<p>The post <a rel="nofollow" href="/the-picket-line/">From the Picket Line</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<title>Vienna art, design, and architecture biennale</title>
		<link>/vienna-biennale/</link>
					<comments>/vienna-biennale/#respond</comments>
		
		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Mon, 03 Jul 2017 09:35:22 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[capability]]></category>
		<category><![CDATA[design]]></category>
		<guid isPermaLink="false">/?p=3344</guid>

					<description><![CDATA[<p>Anab Jain very kindly asked me to contribute a short piece to the programme for the Vienna art, design, and architecture biennale. SAVE THE DATE 11June 6pm Opening VIENNA BIENNALE 2015: IDEAS FOR CHANGE https://t.co/TWZntdYWBX pic.twitter.com/061HYLrT6D — VIENNA BIENNALE (@VieBiennale) April 22, 2015 With the motto: “Robots. Work. Our Future” … the Biennale sets the [...]</p>
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]]></description>
										<content:encoded><![CDATA[<p>Anab Jain very kindly asked me to contribute a short piece to the programme for the <a href="http://www.viennabiennale.org/en/" target="_blank" rel="noopener noreferrer">Vienna art, design, and architecture biennale</a>.</p>
<blockquote class="twitter-tweet" data-lang="en">
<p lang="en" dir="ltr">SAVE THE DATE 11June 6pm Opening VIENNA BIENNALE 2015: IDEAS FOR CHANGE <a href="https://t.co/TWZntdYWBX">https://t.co/TWZntdYWBX</a> <a href="http://t.co/061HYLrT6D">pic.twitter.com/061HYLrT6D</a></p>
<p>— VIENNA BIENNALE (@VieBiennale) <a href="https://twitter.com/VieBiennale/status/590865068721643521">April 22, 2015</a></p></blockquote>
<p> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script></p>
<div style="margin-top:4rem">With the motto:</div>
<div class="highlight">“Robots. Work. Our Future”</div>
<p>… the Biennale sets the developments in robotics and AI against the future of work and labour. I’ve used this as an invitation to consider two ‘modes’ of capability:</p>
<blockquote><p><strong>When it comes to judging the capacities of humans and nonhumans</strong>, we are drawn to two modes of existence. In one mode, we are compelled to see capability as residing within an actor, as an intrinsic quality of their being. A favourite determinant is the brain-weight to body-weight ratio; another is genetic predisposition. We have devised all manner of tests to isolate human and nonhuman capacities: IQ tests, rats mazes and Turing tests among them. Naturally, humans come out on top using most counts.<br>
In the second mode, we observe actors excel in their achievements. We allow ourselves to be surprised and delighted by exhibitions of capacity that exceed our expectations (and that contravene the first mode in so many ways). To find evidence of this mode, one need only turn to that vast repository of record and observation, YouTube, and witness the viewing numbers for titles like “species [x] and species [y] playing together”, “species [x] and species [y] unlikely friends”, and so on. As these titles suggest, capability is often recognised here as accomplished with others—with other objects, other actors, other critters.<br>
Speculating on human capacities—on what humans might be capable of and how they might work in the future—I find myself asking, as the animal studies scholar Vinciane Despret does, which of these modes is ‘more interesting’ and which ‘makes more interesting’. Which of these modes invites us to speculate on new fabulations of actors of all kinds, of actors becoming-with each other, of becoming other-than-humanly-capable, of becoming more capable?<br>
I am taken by the mode that views capability as collectively achieved and that invites those conditions that enlarge capacities through on-going interminglings. The future of work, through this mode, will be dictated not by the limits of being human, but by how we might best attune ourselves with others, how we might become more capable together.</p></blockquote>
<p>The post <a rel="nofollow" href="/vienna-biennale/">Vienna art, design, and architecture biennale</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<title>“The promiscuity of interaction”</title>
		<link>/promiscuity-of-interaction/</link>
					<comments>/promiscuity-of-interaction/#comments</comments>
		
		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Wed, 13 Apr 2016 08:44:48 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[agency]]></category>
		<category><![CDATA[HCI]]></category>
		<category><![CDATA[Interaction]]></category>
		<category><![CDATA[intra-action]]></category>
		<category><![CDATA[STS]]></category>
		<guid isPermaLink="false">/?p=1042</guid>

					<description><![CDATA[<p>This is a brief comment on&#160;a meeting Barry Brown and I hosted at Microsoft Research Cambridge, titled . “Interaction as a&#160;a promiscuous concept”: it’s Stuart Reeves’ phrasing that nicely captures the sentiment of our small meeting’s discussions. The collection of short talks and the emphasis given to talking (and not just lecturing), gave rise to [...]</p>
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]]></description>
										<content:encoded><![CDATA[<blockquote><p>This is a brief comment on&nbsp;a meeting <a href="http://barbro.tumblr.com/" target="_blank" rel="noopener noreferrer">Barry Brown</a> and I hosted at Microsoft Research Cambridge, titled <a id="tippy_tip4_8360_anchor"></a>. <a id="tippy_tip5_2604_anchor"></a></p></blockquote>
<p>“Interaction as a&nbsp;a promiscuous concept”: it’s <a href="http://www.cs.nott.ac.uk/~pszsr/" target="_blank" rel="noopener noreferrer">Stuart Reeves’</a> <a id="tippy_tip6_4959_anchor"></a> phrasing that nicely captures the sentiment of our small meeting’s discussions. The collection of short talks and the emphasis given to talking (and not just lecturing), gave rise to a language of critical but positive reflection. Rather than deliberating on an ‘after’ or ‘post’ interaction turn or wave in HCI, interaction was seen to still offer a great deal. The consensus (led by positions from <a href="https://openlab.ncl.ac.uk/people/ndk37" target="_blank" rel="noopener noreferrer">David Kirk</a>, <a href="http://www.abigaildurrant.com/" target="_blank" rel="noopener noreferrer">Abi Durrant</a>&nbsp;<a id="tippy_tip7_300_anchor"></a>, <a href="http://www.gold.ac.uk/design/staff/gaver/" target="_blank" rel="noopener noreferrer">Bill Gaver</a> and <a href="http://www.cs.nott.ac.uk/~pszsr/" target="_blank" rel="noopener noreferrer">Stuart</a>) was it provides us with a device or machinery in common, and, conceptually, there remains much to do with the word that keeps us open to new domains and indeed new (design) possibilities. Here, I’m reminded of Isabelle Stengers use of the phrase a “tool for thinking”.<a id="tippy_tip8_7947_anchor"></a> It certainly appears interaction (still) provides us with just such a tool.<br>
And yet I felt there was a shared frustration<span id="more-1042"></span> — or at least a frustration in myself — of what limits come with using the word interaction. With it, I find it hard not to feel bound to <em>mediation</em> as a central matter of concern, and alongside that being drawn to a fixed ‘divide’ between humans and machines that must be bridged or somehow solved. For me, this brings to mind Karen Barad’s <a id="tippy_tip9_8736_anchor"></a>’ in which she introduces “<em>intra-action</em>” to purposefully contrast it with the “the usual ‘interaction’, which assumes that there are separate individual agencies that precede their interaction”. <a id="tippy_tip10_6606_anchor"></a></p>
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<p dir="ltr" lang="en">Shared 1 of my fave texts by Star at <a href="https://twitter.com/alxndrt">@alxndrt</a> ‘HCI after interaction’ conf at <a href="https://twitter.com/Microsoft">@Microsoft</a> yest. Also good stickergame <a href="https://t.co/6aa3HUWKN7">pic.twitter.com/6aa3HUWKN7</a></p>
<p>— kat jungnickel (@katjungnickel) <a href="https://twitter.com/katjungnickel/status/707949925099827201">March 10, 2016</a></p></blockquote>
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<p>With interaction, it seems we also struggle to account for the worlds that are instantly and irrevocably entangled in our ‘interactions’ with machines, the scales of order (<a href="http://www.ericlaurier.co.uk/" target="_blank" rel="noopener noreferrer">Eric Laurier</a>) or scaling (<a href="http://www.alexwilkie.org/" target="_blank" rel="noopener noreferrer">Alex Wilkie</a>) that always looms large. Among her reflections on the day, <a href="http://www.katjungnickel.com/" target="_blank" rel="noopener noreferrer">Kat Jungnickel</a> reminded us of Leigh Star’s wonderful “<em>Cultures of Computing</em>” in which she writes evocatively:</p>
<blockquote><p>“<a id="tippy_tip11_7684_anchor"></a>, typing this, my neck aches and I am curled in an uncomfortable position. I try to think about my fingertips and the chips inside this Macintosh as a seamless “web of computing,’ to use Kling and Scacchi’s classic phrase (1982). But chips make me think of the eyesight of women in Singapore and Korea, going blind during the process of crafting the fiddly little wires; of ‘clean rooms’ I have visited in Silicon Valley and the Netherlands, where people dressed like astronauts etch bits of silicon and fabricate complex Sandwiches of information and logic. I think of the silence of my European ancestors who wore Chinese embroidery, marveling at its intricate complexity, the near impossible stitches woven over a lifetime with the eyesight of another generation of Asian women. I think, I want my body to include these experiences. If we are to have ubiquitous, wireless computing in the future, perhaps it is time to have a less boring idea of the body right now—a body politic, not just the substrate for meetings or toys.” <a id="tippy_tip12_9369_anchor"></a></p></blockquote>
<p>So, yes, interaction analysis, such as that from <a href="http://ses-perso.telecom-paristech.fr/licoppe/" target="_blank" rel="noopener noreferrer">Christian Licoppe</a>, offers us some compelling tools for examining the unfolding detail of mundane activities, but how do we extend these analyses to account for a wider ethics (<a href="http://www.ucl.ac.uk/uclic/people/y_rogers" target="_blank" rel="noopener noreferrer">Yvonne Rogers</a>), the “body right now”, and indeed our own productive roles in enacting these cuts (<a href="http://www.katjungnickel.com/" target="_blank" rel="noopener noreferrer">Kat</a>)? How might we focus our attentions not on the agencies intrinsic in humans and things (before interaction, if there could be such a thing), but where and how agency is brought into being (<a href="http://www.alexwilkie.org/" target="_blank" rel="noopener noreferrer">Alex Wilkie</a> <a id="tippy_tip13_3496_anchor"></a> and <a href="http://sydney.edu.au/arts/staff/profiles/mike.michael.php" target="_blank" rel="noopener noreferrer">Mike Michael</a>).<br>
I ask, then, is this the point of inflection? As we turn our minds and bodies to very present technocultures that surround us, ones where things take on new agencies (<a href="http://www.xrce.xerox.com/About-XRCE/People/David-Martin" target="_blank" rel="noopener noreferrer">David Martin</a>), have the capacity to push back (<a href="http://www.io.tudelft.nl/en/organisation/personal-profiles/professors/giaccardi-e/" target="_blank" rel="noopener noreferrer">Elisa Giaccardi</a> <a id="tippy_tip14_9789_anchor"></a>), and where data infrastructures and algorithms are pervasive (<a href="http://airilampinen.fi/" target="_blank" rel="noopener noreferrer">Airi Lampinen</a><a id="tippy_tip15_4807_anchor"></a> and <a href="http://barbro.tumblr.com/" target="_blank" rel="noopener noreferrer">Barry</a>), these weaknesses become increasingly prescient. How are we to think with the “usual” interaction here? How does a preoccupation with a human-centred interaction with machines give us the capacity to see things and practices that stitch and weave across geographies and over lifetimes? Do our promiscuous interactions, if you will, leave us room for thinking and making around these sprawling, always provisional cosmopolitical<a id="tippy_tip16_6389_anchor"></a> land- and time-scapes?<br>
Here, might we sketch out a way to move on in which the uses and design of technology become ways to extend our thinking about and with promiscuous interactions? These interactions—from small scale, one-to-one tinkerings, makings, and repairs, to movements and transformations at scale—aren’t so much things that follow knowing (or for that matter produce what we know); the divide here isn’t between knowing and interacting. Rather they are active processes through which we come to be in the world, not just in what we know, but how we organise ourselves, what we value and care for, etc. We might grapple with things, materially, at the one-to-one scale, but we are forever working with their extending web of entanglements (Abi Durrant). This, we might say, is to take interaction seriously, to understand it beyond the object of study and see it more as a productive reconfiguration of what for many of us have become the troubling disciplinary divisions between the social sciences, design and computing. What we have is an inventive orientation to interaction; whether it’s the detailed study of car drivers using Facebook (Christian Licoppe) or the economic and political assemblages&nbsp;emerging through widely distributed Uber and AirBnB use (Barry and Airi Lampinen), interaction gives us a way to cast things differently and get closer, so to speak, to the entanglements.</p>
<div class="tippy" data-title="HCI after interaction" data-showheader="false" data-anchor="#tippy_tip4_8360_anchor">See <a href="/back-to-interaction/">this post</a> as one source for the discussion.</div>
<div class="tippy" data-title="1" data-href="/promiscuity-of-interaction/#foot_text_1042_1" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_1" data-showheader data-anchor="#tippy_tip5_2604_anchor">Kindly attended by, Andy Boucher, Barry Brown, Rob Comber, Anna Cox, Abi Durrant, Bill Gaver, Elisa Giaccardi, Kat Jungnickel, Dave Kirk, Airi Lampinen, Eric Laurier, Lucian Leahu, Christian Licoppe, Dave Martin, Mike Michael, Marianna Obrist, Stuart Reeves, Yvonne Rogers, Francesca Salvadori, Anja Thieme, Tony Weiser and Alex Wilkie.</div>
<div class="tippy" data-title="2" data-href="/promiscuity-of-interaction/#foot_text_1042_2" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_2" data-showheader data-anchor="#tippy_tip6_4959_anchor">Stuart has posted the notes to his talk <a href="http://notesonresearch.tumblr.com/post/142011592823/talking-about-interaction" target="_blank" rel="noopener noreferrer">here</a>. He&nbsp;has suggested this as a complimentary reading: Anderson, B. and Sharrock, W. (2013). <a href="http://www.sharrockandanderson.co.uk/wp-content/uploads/2013/03/PostModernism-Social-Science-Technology-2012.pdf" target="_blank" rel="noopener noreferrer">PostModernism, Social Science &amp; Technology</a>.</div>
<div class="tippy" data-title="3" data-href="/promiscuity-of-interaction/#foot_text_1042_3" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_3" data-showheader data-anchor="#tippy_tip7_300_anchor">Abi referenced the piece “<a href="http://www.hookerandkitchen.com/edgetown/" target="_blank" rel="noopener noreferrer">Edge Town</a>” by Hooker and Kitchen (2004), in her short talk. She has also suggested E. M. Foster’s ‘<a href="https://en.wikipedia.org/wiki/The_Machine_Stops" target="_blank" rel="noopener noreferrer">The Machine Stops</a>’ for further reading. As she explains: [t]his is because this novella conveys the ideas we discussed about making-and-describing the macro and micro features of a world (of complex mediated interactions) and, dare I say, the ‘local and global’. &nbsp;(With the 1:1 scale features of &nbsp;interaction being the stuff that designers can really work with.&nbsp;<i>It manages to convey the complexity of a socio-technical system through depicting a few moments of relatively simple interaction with ‘the machine’</i>. &nbsp;The story also presents truly entangled human and non human bodies and their politics, ethics, dependencies, faith — and deals more specifically with implications around&nbsp;<i>transparency</i>&nbsp;within those mediated interactions. This is despite being of it’s time and assuming certain differences between people and the natural world, and ‘man and machine’.</div>
<div class="tippy" data-title="4" data-href="/promiscuity-of-interaction/#foot_text_1042_4" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_4" data-showheader data-anchor="#tippy_tip8_7947_anchor">See, Stengers, I. (2013). Introductory notes on an ecology of practices. <em>Cultural Studies Review</em>, 11(1), 183–196.</div>
<div class="tippy" data-title="profound conceptual shift" data-showheader="false" data-anchor="#tippy_tip9_8736_anchor">From “[T]he usual ‘interaction,’ which presumes the prior existence of independent entities”. Barad, K. (2003). <a href="http://doi.org/10.1086/345321" target="_blank" rel="noopener noreferrer">Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.</a> <i>Signs: Journal of Women in Culture and Society</i>, <i>28</i>(3), p.815.</div>
<div class="tippy" data-title="5" data-href="/promiscuity-of-interaction/#foot_text_1042_5" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_5" data-showheader data-anchor="#tippy_tip10_6606_anchor">See, Barad, K. M. (2011). <a href="http://doi.org/10.1177/0306312711406317" target="_blank" rel="noopener noreferrer">Erasers and erasures: Pinch’s unfortunate ‘uncertainty principle’</a>. <i>Social Studies of Science</i>, <i>41</i>(3), p. 451.</div>
<div class="tippy" data-title="Right now" data-showheader="false" data-anchor="#tippy_tip11_7684_anchor">See <a href="https://twitter.com/katjungnickel" target="_blank" rel="noopener noreferrer">Kat’s</a> <a href="https://twitter.com/katjungnickel/status/712220900637208576" target="_blank" rel="noopener noreferrer">Tweeted</a> photos of the original text.</div>
<div class="tippy" data-title="6" data-href="/promiscuity-of-interaction/#foot_text_1042_6" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_6" data-showheader data-anchor="#tippy_tip12_9369_anchor">See, Star, S. L. (1995). <em>The Cultures of Computing</em>. Blackwell Publishers, Inc., pp. 2–3.</div>
<div class="tippy" data-title="7" data-href="/promiscuity-of-interaction/#foot_text_1042_7" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_7" data-showheader data-anchor="#tippy_tip13_3496_anchor">Alex suggests this for further reading: Latour, B. (2007). <a href="http://sss.sagepub.com/content/37/5/811.full.pdf+html" target="_blank" rel="noopener noreferrer">Turning around politics</a>: A note on Gerard de Vries’ paper. <em>Social Studies of Science</em>, 37(5), 811–820.</div>
<div class="tippy" data-title="8" data-href="/promiscuity-of-interaction/#foot_text_1042_8" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_8" data-showheader data-anchor="#tippy_tip14_9789_anchor">Elisa has given us access to her forthcoming book chapter: <a href="/m/1078" target="_blank" rel="noopener noreferrer">Things as Co-ethnographers: Implications of a Thing Perspective for Design and Anthropology</a>, to To appear in R.C. Smith et al. (eds) (2016) <em>Design Anthropology Futures</em>, London: Bloomsbury.</div>
<div class="tippy" data-title="9" data-href="/promiscuity-of-interaction/#foot_text_1042_9" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_9" data-showheader data-anchor="#tippy_tip15_4807_anchor">Airi has suggested reading: Gillespie, T. (2014). “<a href="http://culturedigitally.org/2012/11/the-relevance-of-algorithms/" target="_blank" rel="noopener noreferrer">The Relevance of Algorithms</a>.” In <em>Media Technologies: Essays on Communication, Materiality, and Society</em>, edited by Tarleton Gillespie, Pablo Boczkowski, and Kirsten Foot, 167–194. Cambridge, MA: MIT Press. Seaver, N. (2013). “<a href="http://nickseaver.net/s/seaverMiT8.pdf" target="_blank" rel="noopener noreferrer">Knowing Algorithms</a>.” In <em>Media in Transition 8</em>. Cambridge, MA. She has also recommended a link to the excellent <a href="http://socialmediacollective.org/reading-lists/critical-algorithm-studies/" target="_blank" rel="noopener noreferrer">reading list</a> on algorithms that Tarleton Gillespie and Nick Seaver have compiled on MSR’s <a href="http://socialmediacollective.org/" target="_blank" rel="noopener noreferrer">Social Media Collective’s website</a>.</div>
<div class="tippy" data-title="10" data-href="/promiscuity-of-interaction/#foot_text_1042_10" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_1042_10" data-showheader data-anchor="#tippy_tip16_6389_anchor">Thanks to Alex Wilkie, who won (some of) us around to Stengers’ and Bruno Latours’ <em>Cosmopolitics</em>. See, Latour, B. (2004). Whose Cosmos, Which Cosmopolitics? Comments on the Peace Terms of Ulrich Beck. <em>Common Knowledge</em>, 10(3), 450–462. And Stengers, I. (2010). <em>Cosmopolitics I</em>, Bononno, R (trans.), Minneapolis: University of Minnesota Press.</div>
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		<title>“Earthwide projects” at Shifting Borderlands, Aarhus 2015</title>
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		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Mon, 21 Sep 2015 09:54:46 +0000</pubDate>
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					<description><![CDATA[<p>I was delighted to participate in last month’s “Shifting Borderlands” workshop at the decennial Aarhus Conference: Critical Alternatives&#160;.&#160;What an inspiring and&#160;memorable event!&#160;My sincerest thanks to the organisers, Silvia, Marisa, Lucian, Hrönn and Carl. The position papers—from a wonderful mix of people—are all online here. My&#160;own text was a short but rambling piece on some&#160;still underdeveloped [...]</p>
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										<content:encoded><![CDATA[<p>I was delighted to participate in last month’s “<a href="https://tracingcriticalpractice2015.wordpress.com/organizers/" target="_blank" rel="noopener noreferrer">Shifting Borderlands</a>” workshop at the <a href="http://aarhus2015.org/" target="_blank" rel="noopener noreferrer">decennial Aarhus Conference: Critical Alternatives</a>&nbsp;.&nbsp;What an inspiring and&nbsp;memorable event!&nbsp;My sincerest thanks to the <a href="https://tracingcriticalpractice2015.wordpress.com/organizers/" target="_blank" rel="noopener noreferrer">organisers</a>, Silvia, Marisa, Lucian, Hrönn and Carl.<br>
The position papers—from a wonderful mix of people—are all online <a href="https://tracingcriticalpractice2015.wordpress.com/position-papers/" target="_blank" rel="noopener noreferrer">here</a>. <a href="https://tracingcriticalpractice2015.files.wordpress.com/2015/08/a-taylor_impact-and-counting.pdf" target="_blank" rel="noopener noreferrer">My&nbsp;own text</a> was a short but rambling piece on some&nbsp;still underdeveloped ideas. I’ve been trying to think a little more critically about&nbsp;my role as a academician and a Microsoft researcher. Predictably, in combination, the roles&nbsp;raise all sorts of questions and frictions for me.&nbsp;Increasingly, I’ve directed my efforts at thinking about the worlds I’ve helped to enact&nbsp;and asking whether they are&nbsp;kinds of worlds that I would want to live in.<br>
It’s hard to put it better than Donna Haraway:</p>
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<p>My piece, “<a href="https://tracingcriticalpractice2015.files.wordpress.com/2015/08/a-taylor_impact-and-counting.pdf">Impact and Counting</a>”, is available <a href="https://tracingcriticalpractice2015.wordpress.com/position-papers/" target="_blank" rel="noopener noreferrer">here</a>.
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<div class="tippy" data-title="I think my problem, and “our” problem, is how to have simultaneously an account of radical historical contingency for all knowledge claims and knowing subjects, a critical practice for recognizing our own “semiotic technologies” for making meanings, and a no-nonsense commitment to faithful accounts of a “real” world, one that can be partially shared and that is friendly to earthwide projects of finite freedom, adequate material abundance, modest meaning in suffering,and limited happiness." data-showheader="false" data-anchor="#tippy_tip17_3485_anchor">Haraway, D. (1988). Situated knowledges: The science question in feminism and the privilege of partial perspective. Feminist studies, 14(3): 579.</div>
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		<title>On Counting</title>
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		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Mon, 06 Jul 2015 11:51:56 +0000</pubDate>
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					<description><![CDATA[<p>Kat Jungnickel kindly invited me to a two day meeting as part of her continuing series of Transmissions and Entanglements events. Amidst others working through new methods and processes, here’s what I had to say for myself on counting: What is it to count and to be counted? One way I have made sense of [...]</p>
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										<content:encoded><![CDATA[<p><a href="http://www.gold.ac.uk/sociology/staff/academicstaff/jungnickelkat/" target="_blank" rel="noopener noreferrer">Kat Jungnickel</a> kindly invited me to a two day meeting as part of her continuing series of <a href="http://transmissionsandentanglements.com/" target="_blank" rel="noopener noreferrer">Transmissions and Entanglements</a> events. Amidst others working through new methods and processes, here’s what I had to say for myself on <em>counting</em>:</p>
<blockquote><p>What is it to count and to be counted?<br>
One way I have made sense of my work over the last 10 years at Microsoft has been to see it as a way of getting to grips with counting and in some ways coming to terms with being counted.<br>
<span id="more-700"></span><br>
I could tell a few stories about numbers and counts, but let me say a bit about just two, that are, in different ways, important for me.<br>
The first one is admittedly a dry example, but I hope it might at least set us on our way..<br>
About 4  years ago, I found myself part of a small team of scientists from systems and cell biology, and computer science. The challenge was to take a tool that had been devised to test biological models for what is known as stability and make it something accessible to a wider community of biologists, to those who would be deterred from working with biological models produced through lines of code and numbers.<br>
I won’t go into the details of the computation here. I do want to say, though, that something struck me in the work. This was how, through a very sophisticated way of making counts and seeing relations, the particular tool we were dealing with had the theoretical capacity to test biological systems with an infinite number of states! By manipulating the way numbers or counts reference one another, the tool could work through every possible situation to determine whether some stable end point was always achieved. Simple models could be tested in this way in a matter of minutes, more complex ones in hours.<br>
This is fantastic by itself, but more interesting for me was how an intrinsic feature of biology, and especially wet-lab bench work, was disrupted by this computational accomplishment. Something that is so interleaved in the work of experimental biology, time, and more specifically biological time, ceased here to be present, at least in any recognisable way. Instead, a computational time comes to count in which the measures are produced through the steps taken in a sequence of lemmas (roughly translated as conditional ‘arguments’ in logic).<br>
So we begin to see here how counting and being counted can entangle. Some highly specialized and computationally sophisticated techniques for translating biological states into clusters of counts means that life, cell life, comes to count differently. The cellular models have no way of enumerating the changes occurring in a temporal sequence. Through a different figuring, the cellular life being enacted by the models is done through a sort of state space where it is the density and weight given to the relations that make a difference. So the techniques of enumeration and calculation fundamentally alter what matters in the cellular system.<br>
To put it another way, the counts, bound up with a formal and algorithmic logic, are a matter of life and (I need to be careful here) death: for this tool is an experimental one targeted at modelling, for instance, healthy skin cell development and leaning more about those cases in which cancerous rather than healthy cells proliferate.<br>
I want to say here, then, that the modes of counting and how things come to count appear tightly entangled. I’ve missed too many of the important details here, but hopefully ever so faintly we catch a glimpse how counting can become a way to see and do lived worlds differently.<a id="tippy_tip18_735_anchor"></a><br>
To turn to my second example, I’d like now to think through the data flows of London’s rental bikes and how I’ve used my own counting methods to introduce, let us say, some trouble into the entanglements.<br>
I see there to be two broad ways in which the ‘Boris bike’ data (made ‘freely available by the public authority, Transport for London) are being used. One is targeted at supporting the users of the system, providing them with, for example, live counts of bike availability for the roughly 700 docking stations across the city. You can download apps, for instance, that show the nearest docking stations and the number of bikes available to rent.<br>
The second common use of the data is to visualise the usage, picturing the popularity of docking stations and some indication of the frequency of journeys between them. The result is often a colourful map of nodes (docking stations) and lines of varying density between them (indicating journey frequency).<br>
The first thing I want to say about these geospatial counts of bicycles will be of little surprise to us. These bikes and their data are bound intimately to a politics of the city. Yes, the Boris bikes were launched in 2010 by the controversial conservative mayor of London, Boris Johnson (hence their colloquial name), and yes, the system’s status as a public-private partnership is often used as an exemplary case for partisanship on both sides of the public/private ownership debates.<br>
Things go deeper than this though. Interweaved with the spatial configuration of the city and a specific set of economic, technical and computational modes, we find a geography emerging from the entanglements. Most obviously this is manifest in the free 30 minute window users have before they are charged on a per-minute basis for using the system. With about 95% of all journeys falling inside this count down, a cartogram of the city is produced that has some fairly well-defined regions and boundaries. These, more often than not, paint a picture of a patchworked city with hubs in the financial districts and dense spokes funnelled to the residential neighbourhoods that service them. Large areas to the East and South East are rendered invisible in these cycle-slash-data routes. So the network of nodes and connections, probably unsurprisingly, correspond to where wealth and prosperity are accumulating in the city.<br>
At risk of oversimplifying things, what I want to say here then is that the multiple systems of counting and the material infrastructures through which the counts are produced do political work, but, and critical to my point here, is they do a work that merely reminds us of what we all already know; to borrow Donna Haraway’s <a id="tippy_tip19_8230_anchor"></a>, “Nothing”, not even numbers, “come without their worlds”, and these worlds like the ones etched out of the Boris bike’s data maps recapitulate the kinds of differences we know too well.<br>
Drawing heavily on Kat’s ever-so artful ways of treating the empirical site — of treating it dare I say with the distain it deserves — my urge here has been to intervene, to find new entanglements that might provoke other ways in which difference might be done, that might if you will trouble the transmissions.<br>
So on one fine autumn day last October I took my first ride on a Boris Bike, on bike number 2175.<br>
My journey is between two docking stations that lie at the Eastern edge of the cycle scheme’s cartography of routes and stops. The route, starting at a docking station on Aberfeldy Street leads me further East (about 5km beyond the rental bike scheme’s eastern most docking station), through a series of neighbourhoods that, despite their proximity to the finical district, Canary Wharf, still feel a long way from London’s ever increasing prosperity and cycles of gentrification.<br>
After riding North along the popular market street, Green Street, in Newham I come back on myself, heading due West along the Newham borough’s Greenway, an embankment of greenery and concrete overlaying the 150 year old Northern Outfall Sewer, part of London’s network of Victorian sewage systems.<br>
In total, my journey takes 45 minutes, starting at 16:45 and ending at 17:30. The average journey time for the 74 rides that began at the same time, across the scheme, was 15 minutes. In the week preceding my journey 18 journeys began from Aberfeldy Street against a seven day total of 139,793 across the entire scheme.<br>
My journey is then an intentional move to the edges of London’s bike rental docking stations and the associated data trails of bike flows. Starting with the modes of counting that have successfully reminded us of what we already know, I’ve sought out something else.<br>
And to mess around with these counts further, my body is also instrumented with a range of off-the-shelf biosensors or self-monitoring systems, each purport to capture in some shape or form individual physiological or bodily phenomena, steps, heart rates, global position, a sequential visual memory.<br>
Again, my aim here is to infuse something different into the mixture of seemingly familiar counts. Introducing peculiar juxtapositions and instabilities between counts, it is an attempt to surface other kinds of flows and connections that might just etch new topographies into the city. What I really want to do here is alter how we see life in the city, to transmogrify what counts, in answer to Nigel Thrifts evocative call:<br>
“We need spaces that graft… We need spaces that don’t line up. We need spaces that breathe different atmospheres. We need new slopes, strips, roads, tracks, ridges, plains, seas… We need room. This is meant as an effort to make room.”<br>
Here, I want to leave as ill defined any ideas for how things could come to count.<br>
What I want to say though is that, what I’m struggling with is a sense of counting as an apparatus of transmission for how we might open up the possibilities for new relations. From my own experiment, the fluxes of rates, coordinates, ‘steps’ , image sequences, and so on are open questions about how we might surface a mixture of worlds, ones in which the counts spiral off the map literally and figuratively, ones where we are not sure what might come to count.<br>
Counting and being counted here then collapse:<br>
Counting, becomes a way to intervene in the numbers and to further entangle the panoply of economic, technical, computational, political, and ethical modes that make worlds. Counting is to shift what it is that counts, and to ask how life whether that be amongst cells or for those of us in living together, could be different.</p></blockquote>
<div class="tippy" data-title="1" data-href="/counting/#foot_text_700_1" data-class="annie_footnoteRef annie_custom" data-name="foot_loc_700_1" data-showheader data-anchor="#tippy_tip18_735_anchor"><span style="color: #222222;">See <a href="http://computationalculture.net/article/modelling-biology" target="_blank" rel="noopener noreferrer">this paper</a> for a longer account of the work on this modelling tool: Alex S Taylor, Jasmin Fisher, Byron Cook, Samin Ishtiaq, Nir Piterman (2014) <a href="http://computationalculture.net/article/modelling-biology" target="_blank" rel="noopener noreferrer">Modelling Biology – working through (in-)stabilities and frictions</a>, <i style="color: #222222;">Computational Culture</i> 1(3).</span></div>
<div class="tippy" data-title="words" data-showheader="false" data-anchor="#tippy_tip19_8230_anchor">See Haraway, D., (1997), Modest_Witness@Second_Millennium. FemaleMan©_Meets_OncoMouseTM:<br>
Feminism and Technoscience, New York: Routledge. And also see la Bellacasa, de, M. P. (2012) ‘“Nothing comes without its world”: thinking with care’, The Sociological Review, 60(2), 197–216.</div>
<p>The post <a rel="nofollow" href="/counting/">On Counting</a> appeared first on <a rel="nofollow" href="/">Alex Taylor</a>.</p>
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		<dc:creator><![CDATA[Alex Taylor]]></dc:creator>
		<pubDate>Thu, 10 Apr 2014 12:10:09 +0000</pubDate>
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					<description><![CDATA[<p>After a tremendous about of work with Lara Houston, I’m delighted to have finally gone live with our data policy site: data-policy.info. It attempts to detail, in various formats and cuts, the discussions at the day of dialogues on data, policy and civic life, held at Microsoft Research Cambridge. More than this though, we want [...]</p>
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										<content:encoded><![CDATA[<p>After a tremendous about of work with <a href="http://www.lancaster.ac.uk/sociology/profiles/lara-houston" target="_blank" rel="noopener noreferrer">Lara Houston</a>, I’m delighted to have finally gone live with our data policy site: <a href="http://data-policy.info/category/topics/" target="_blank" rel="noopener noreferrer">data-policy.info</a>. It attempts to detail, in various formats and cuts, the discussions at the <a href="/dialogues-data-policy-civic-life/">day of dialogues</a> on data, policy and civic life, held at Microsoft Research Cambridge. More than this though, we want the site to promote further discussion and expand the ways we might think of the relations between data, social/civic life, and policy. For me, the inspiration here has been the work a few of us have been doing with <a href="http://tenisonroad.com/" target="_blank" rel="noopener noreferrer">Tenison Road</a> in cambridge and a community’s efforts to make sense of and use its data. I’d like to think something small and local could make a difference in these big discussions</p>
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