Talk: The Capacities of Interaction

William Kentridge — “A drawing lesson”

“… can we be bet­ter than who we are, can we be oth­er than who we are?”
I’ve been try­ing to think about capa­bil­i­ty for a lit­tle while and try­ing to make sense of how we become able. What I’ve want­ed to get away from is an idea of abil­i­ty that we feel defined or lim­it­ed by—the pre­sumed lim­its of abil­i­ty dic­tat­ed, sup­pos­ed­ly, by our bod­i­ly and men­tal capacities.

Today I came across this love­ly video of and by the artist William Ken­tridge. He express­es so much of what has engaged me in this sub­ject mat­ter, but with such elo­quence and so vividly.

Vienna art, design, and architecture biennale

Anab Jain very kind­ly asked me to con­tribute a short piece to the pro­gramme for the Vien­na art, design, and archi­tec­ture bien­nale.

With the motto:
“Robots. Work. Our Future”

… the Bien­nale sets the devel­op­ments in robot­ics and AI against the future of work and labour. I’ve used this as an invi­ta­tion to con­sid­er two ‘modes’ of capability:

When it comes to judg­ing the capac­i­ties of humans and non­hu­mans, we are drawn to two modes of exis­tence. In one mode, we are com­pelled to see capa­bil­i­ty as resid­ing with­in an actor, as an intrin­sic qual­i­ty of their being. A favourite deter­mi­nant is the brain-weight to body-weight ratio; anoth­er is genet­ic pre­dis­po­si­tion. We have devised all man­ner of tests to iso­late human and non­hu­man capac­i­ties: IQ tests, rats mazes and Tur­ing tests among them. Nat­u­ral­ly, humans come out on top using most counts.
In the sec­ond mode, we observe actors excel in their achieve­ments. We allow our­selves to be sur­prised and delight­ed by exhi­bi­tions of capac­i­ty that exceed our expec­ta­tions (and that con­tra­vene the first mode in so many ways). To find evi­dence of this mode, one need only turn to that vast repos­i­to­ry of record and obser­va­tion, YouTube, and wit­ness the view­ing num­bers for titles like “species [x] and species [y] play­ing togeth­er”, “species [x] and species [y] unlike­ly friends”, and so on. As these titles sug­gest, capa­bil­i­ty is often recog­nised here as accom­plished with others—with oth­er objects, oth­er actors, oth­er critters.
Spec­u­lat­ing on human capacities—on what humans might be capa­ble of and how they might work in the future—I find myself ask­ing, as the ani­mal stud­ies schol­ar Vin­ciane Despret does, which of these modes is ‘more inter­est­ing’ and which ‘makes more inter­est­ing’. Which of these modes invites us to spec­u­late on new fab­u­la­tions of actors of all kinds, of actors becom­ing-with each oth­er, of becom­ing oth­er-than-human­ly-capa­ble, of becom­ing more capable?
I am tak­en by the mode that views capa­bil­i­ty as col­lec­tive­ly achieved and that invites those con­di­tions that enlarge capac­i­ties through on-going inter­min­glings. The future of work, through this mode, will be dic­tat­ed not by the lim­its of being human, but by how we might best attune our­selves with oth­ers, how we might become more capa­ble together.

Platypus blog post

The Com­mit­tee for the Anthro­pol­o­gy of Sci­ence, Tech­nol­o­gy & Com­put­ing (CASTAC) and Rebekah Cul­pit kind­ly gave me the oppor­tu­ni­ty to write a piece for Platy­pus (the CASTAC blog).
Titled “Becom­ing More Capa­ble”, the blog post sketch­es out some of the ear­ly ideas I’ve been think­ing with in con­nec­tion to dis/ability. Specif­i­cal­ly, it takes up a gen­er­a­tive (fem­i­nist inspired) posi­tion, that under­stands capa­bil­i­ty as col­lec­tive­ly achieved, as a ‘becom­ing-with’. The Platy­pus post is here, or see a longer un-edit­ed ver­sion below.

We need to exer­cise the imag­i­na­tion in order to elbow away at the con­di­tions of im/possibility.

Ingunn Moser & John Law (1999: 174)

What is it to be capa­ble? How might we elbow away the con­di­tions that lim­it abil­i­ty, to become more capa­ble? (more…)

Talk at RCA, Design Products

I had a very gen­er­ous slot for pre­sent­ing to some in Design Prod­ucts at the RCA this week.

Slides from RCA Design Products talk Feb 2017

 
In this talk, I want to sug­gest we have spent too much time work­ing with the lim­its of capability—the lim­its of the per­cep­tu­al appa­ra­tus, the lim­its of cog­ni­tive capac­i­ties, and the lim­its of how crit­ters (whether human or non­hu­man) inter­act and relate to one anoth­er. Draw­ing on a fem­i­nist techno­science and using exam­ples from recent field­work, I’ll aim to show that, togeth­er, we make our­selves capa­ble. That capa­bil­i­ty isn’t lim­it­ed to some pre-giv­en, indi­vid­ual state, but comes into being through (inter)action, through entan­gled rela­tions between actors of all kinds. This, I’ll claim, gives us a very dif­fer­ent way of think­ing about our rela­tions with tech­nol­o­gy and espe­cial­ly the promise of AI and machine learn­ing. Rather than machines aim­ing to repli­cate human capa­bil­i­ty, I want to pro­pose an expan­sive project that allows us the chance to imag­ine some­thing ‘oth­er-than’ finite capa­bil­i­ties, that sees capa­bil­i­ty as a ‘becom­ing-with’, and lays open the pos­si­bil­i­ties for much much more.

 

I’m hop­ing to fine-tune and do a lit­tle tidy­ing of these ideas for this talk at the Knowl­edge Lab (Insti­tute of Edu­ca­tion) lat­er this month.